I was born in Haiti in 1991 and landed in the States just before my third birthday. I’ve been drawing for as long as I can remember — won my first art award in kindergarten, going up against second and third graders.
But for years, I tried to outrun it. Sports, music, the streets. Nothing stuck. Nothing fulfilled me. Drawing came naturally, but painting? That terrified me. The thought of mixing colors and making something look real didn’t make sense to me. So I rehearsed it in my head — techniques, color theory, how I’d actually do it — for years before I ever picked up a brush.
When I finally did, it was a mural. It wasn’t bad. So I did another. Within a year, people were paying me for commissions and I was watching myself improve faster than I ever had at anything else I’d tried. That’s when I knew God was showing me my purpose. Art was there the whole time — I just thought I was too cool for it.
I went straight at portraits next because they intimidated me. Now they’re 90% of my commission work. That portrait work built the clientele that opened doors I never expected — flown out to Miami by collectors, multi-location brand work, murals across cities and states.
I’m self-taught. The quote I live by: “I’m nowhere near my final form.”
Sculpture is where I’m pushing now. I wanted my work to exist outside the canvas — something you could walk around, touch, feel. That’s the next frontier.
Murals
Cities
Commissions Done
Years of Experience
THESIS
The things we grew up with, rendered as fine art. Murals, oils, sculpture — all rooted in the same idea: pop-culture nostalgia, built to last.
LETS BUILD SOMETHING
Got a wall, a wild idea, or a portrait you’ve always wanted? Let’s talk.